2022/2023

Jonathan Coe

  • Brexit and the Politics of nostalgia
  • “Telling stories is telling lies”: BS johnson and the phenomenon of autofiction

Filipe Crawford

  • Mask Improvisation Technique
  • The Commedia dell’Arte Characters

2021/2022

Christopher Bollen

  • Location, location, location
  • Getting away with murder

Ulla Lenze

  • From facts to fiction
  • What is aesthetic knowledge ?

Boris Chersonskij

  • Russian poetry and the Unconscious
  • War and the Destiny of Russian Poetry in Metropolia, in Ukraine and in Emigration

2019/2020

Christina Viragh

  • Tra Cielo e Terre I
  • Tra Cielo e Terre II

Frank Westerman

  • Ararat and Beyond
  • The Anatomical Lesson

2018/2019

Guadalupe Nettel

  • Style Exercises

Albert Ostermaier

  • Laboratorio teatrale a cura dell’artista “Una libbra di carne. Venezia. Gli invisibili

Precedente Direzione Artistica

2018/2019

Deepak Unnikrishan

  • On Literature, Migration, Food

2017/2018

Ngũgĩ wa Thiong’o

  • Memory, Self and Narration

Josh Dolgin – SOCALLED

  • Canti e Musiche del Teatri Yiddish

Maaza Mengiste

  • Idee che sopravvivono: riflessioni su proteste e scomparse
  • Controcanti: Mix di Culture e Esperienze

Michele Gazich

  • Orma, chiave, cura
  • Temuto come grido, atteso come canto

2016/2017

Dayanita Singh

  • a book story

Igiaba Scego

  • Clara un rinoceronte a Venezia: tra storia e arte
  • Clara the rhinoceros; a story of colonialism

Damir Imamovic

  • Waterlines Stories 1

2015/2016

Nataša Dragnić

  • Rifelssioni sulla condizione del migrante “Home sweet home. But where is it?”

Mayank Austen Soofi

  • Blogging the City
  • Both Mainstream and out of it

Nathalie Handal

  • Versus of the World
  • Orizzonti mediterranei

2015

Hanif Kureishi

  • The Last Time